Bancada · Roteiro de 7 Cortes

[CINEMATOGRAPHY] Vertical 9:16, 1080x1920. Single continuous handheld take, subtle breathing movement, 35mm lens, shallow depth of field, focus locked on the subject's eyes. [SUBJECT] Brazilian man, 38 years old, 170 cm, athletic mesomorph build. Completely shaved bald head, no stubble on the scalp. Short full dark beard with a distinct pointed goatee and a connected moustache, edges kept sharp. Round black acetate eyeglasses, thin frame, sitting mid-nose. Warm light-olive skin. Dark brown eyes, heavy brows, calm steady gaze. Both arms carry dense full-sleeve colour tattoos from shoulder to wrist in American traditional and neo-traditional style: female portraits, roses and foliage, bold black outlines, saturated red, orange and green ink, visible on the forearms. Hands are clean, no tattoos on the fingers. Keep the face, beard shape, glasses and tattoo placement identical in every frame. Wardrobe: black unstructured blazer over a plain black crew-neck t-shirt, sleeves pushed up so the forearm tattoos are visible. [TIMED ACTION] [00:00-00:03] Extreme close-up on a dark computer screen, a single line of white numbers climbing fast from 8 to 32, reflected in round black glasses. Fast whip pan right, motion blur, landing on the man's face. [00:03-00:08] The man is now centred in a medium close-up, chest up, looking straight into the lens. He speaks with blunt, confrontational energy, no smile, leaning slightly in, hands entering frame low with small controlled gestures, no exaggerated movement. [DIALOGUE] He says, in Brazilian Portuguese, natural conversational delivery, every accent pronounced correctly, no accent drift: "Se você não sabe quanto custou o seu último cliente, você não tem marketing. Você tem despesa. E eu vou te mostrar a conta." [CONTEXT] Dark minimalist studio. Deep navy background falling into black. One soft purple key light from camera left at 45 degrees, a cold rim light separating his shoulder from the background, faint volumetric haze catching the beam. Nothing else in the room. [STYLE & AMBIANCE] Premium documentary interview look, cinematic colour grade, deep blacks, slight film grain, hyperrealistic skin texture with visible pores. Confident and controlled mood, never cheerful, never salesy. [AUDIO] Ambient: near-silent studio room tone. SFX: a short digital tick during the counter, then a sharp whoosh on the whip pan. No speech in the first three seconds. No background music. [NEGATIVE] Clean empty background with no on-screen text, no captions, no subtitles, no logos, no watermark, no lower thirds, no graphic overlays. Bare walls with no furniture and no plants. Hands with no tattoos on the fingers. A single person alone in the room.

[CINEMATOGRAPHY] Vertical 9:16, 1080x1920. Single continuous handheld take, subtle breathing movement, 35mm lens, shallow depth of field, focus locked on the subject's eyes. [SUBJECT] Brazilian man, 38 years old, 170 cm, athletic mesomorph build. Completely shaved bald head, no stubble on the scalp. Short full dark beard with a distinct pointed goatee and a connected moustache, edges kept sharp. Round black acetate eyeglasses, thin frame, sitting mid-nose. Warm light-olive skin. Dark brown eyes, heavy brows, calm steady gaze. Both arms carry dense full-sleeve colour tattoos from shoulder to wrist in American traditional and neo-traditional style: female portraits, roses and foliage, bold black outlines, saturated red, orange and green ink, visible on the forearms. Hands are clean, no tattoos on the fingers. Keep the face, beard shape, glasses and tattoo placement identical in every frame. Wardrobe: black unstructured blazer over a plain black crew-neck t-shirt, sleeves pushed up so the forearm tattoos are visible. [TIMED ACTION] [00:00-00:08] Medium close-up, chest up, looking straight into the lens. He speaks with matter-of-fact, almost dismissive, as if filtering people out, hands entering frame low with small controlled gestures, no exaggerated movement. Continuous with the previous shot: same seat, same framing, same light. [DIALOGUE] He says, in Brazilian Portuguese, natural conversational delivery, every accent pronounced correctly, no accent drift: "Isso serve pra quem fatura acima de cinquenta mil por mês e já tem alguém pra atender. Se não tem, para o vídeo aqui." [CONTEXT] Dark minimalist studio. Deep navy background falling into black. One soft purple key light from camera left at 45 degrees, a cold rim light separating his shoulder from the background, faint volumetric haze catching the beam. Nothing else in the room. [STYLE & AMBIANCE] Premium documentary interview look, cinematic colour grade, deep blacks, slight film grain, hyperrealistic skin texture with visible pores. Confident and controlled mood, never cheerful, never salesy. [AUDIO] Ambient: near-silent studio room tone. SFX: none. No background music. [NEGATIVE] Clean empty background with no on-screen text, no captions, no subtitles, no logos, no watermark, no lower thirds, no graphic overlays. Bare walls with no furniture and no plants. Hands with no tattoos on the fingers. A single person alone in the room.

[CINEMATOGRAPHY] Vertical 9:16, 1080x1920. Single continuous handheld take, subtle breathing movement, 35mm lens, shallow depth of field, focus locked on the subject's eyes. [SUBJECT] Brazilian man, 38 years old, 170 cm, athletic mesomorph build. Completely shaved bald head, no stubble on the scalp. Short full dark beard with a distinct pointed goatee and a connected moustache, edges kept sharp. Round black acetate eyeglasses, thin frame, sitting mid-nose. Warm light-olive skin. Dark brown eyes, heavy brows, calm steady gaze. Both arms carry dense full-sleeve colour tattoos from shoulder to wrist in American traditional and neo-traditional style: female portraits, roses and foliage, bold black outlines, saturated red, orange and green ink, visible on the forearms. Hands are clean, no tattoos on the fingers. Keep the face, beard shape, glasses and tattoo placement identical in every frame. Wardrobe: black unstructured blazer over a plain black crew-neck t-shirt, sleeves pushed up so the forearm tattoos are visible. [TIMED ACTION] [00:00-00:08] Medium close-up, chest up, looking straight into the lens. He speaks with energised, telling a story he enjoys, small nod at the end, hands entering frame low with small controlled gestures, no exaggerated movement. Continuous with the previous shot: same seat, same framing, same light. [DIALOGUE] He says, in Brazilian Portuguese, natural conversational delivery, every accent pronounced correctly, no accent drift: "Marcenaria de alto padrão. Lead de trinta e um reais e oitenta e dois entrou na segunda pelo anúncio. Contrato de vinte e três mil e seiscentos assinado na quarta." [CONTEXT] Dark minimalist studio. Deep navy background falling into black. One soft purple key light from camera left at 45 degrees, a cold rim light separating his shoulder from the background, faint volumetric haze catching the beam. Nothing else in the room. [STYLE & AMBIANCE] Premium documentary interview look, cinematic colour grade, deep blacks, slight film grain, hyperrealistic skin texture with visible pores. Confident and controlled mood, never cheerful, never salesy. [AUDIO] Ambient: near-silent studio room tone. SFX: none. No background music. [NEGATIVE] Clean empty background with no on-screen text, no captions, no subtitles, no logos, no watermark, no lower thirds, no graphic overlays. Bare walls with no furniture and no plants. Hands with no tattoos on the fingers. A single person alone in the room.

[CINEMATOGRAPHY] Vertical 9:16, 1080x1920. Single continuous handheld take, subtle breathing movement, 35mm lens, shallow depth of field, focus locked on the subject's eyes. [SUBJECT] Brazilian man, 38 years old, 170 cm, athletic mesomorph build. Completely shaved bald head, no stubble on the scalp. Short full dark beard with a distinct pointed goatee and a connected moustache, edges kept sharp. Round black acetate eyeglasses, thin frame, sitting mid-nose. Warm light-olive skin. Dark brown eyes, heavy brows, calm steady gaze. Both arms carry dense full-sleeve colour tattoos from shoulder to wrist in American traditional and neo-traditional style: female portraits, roses and foliage, bold black outlines, saturated red, orange and green ink, visible on the forearms. Hands are clean, no tattoos on the fingers. Keep the face, beard shape, glasses and tattoo placement identical in every frame. Wardrobe: black unstructured blazer over a plain black crew-neck t-shirt, sleeves pushed up so the forearm tattoos are visible. [TIMED ACTION] [00:00-00:08] Medium close-up, chest up, looking straight into the lens. He speaks with explanatory, controlled, counting points with his hand, hands entering frame low with small controlled gestures, no exaggerated movement. Continuous with the previous shot: same seat, same framing, same light. [DIALOGUE] He says, in Brazilian Portuguese, natural conversational delivery, every accent pronounced correctly, no accent drift: "Não foi sorte, foi o método C.O.R.E. rodando. O anúncio filtra por intenção, o agente qualifica em segundos, e só chega no dono quem tem obra de verdade." [CONTEXT] Dark minimalist studio. Deep navy background falling into black. One soft purple key light from camera left at 45 degrees, a cold rim light separating his shoulder from the background, faint volumetric haze catching the beam. Nothing else in the room. [STYLE & AMBIANCE] Premium documentary interview look, cinematic colour grade, deep blacks, slight film grain, hyperrealistic skin texture with visible pores. Confident and controlled mood, never cheerful, never salesy. [AUDIO] Ambient: near-silent studio room tone. SFX: none. No background music. [NEGATIVE] Clean empty background with no on-screen text, no captions, no subtitles, no logos, no watermark, no lower thirds, no graphic overlays. Bare walls with no furniture and no plants. Hands with no tattoos on the fingers. A single person alone in the room.

[CINEMATOGRAPHY] Vertical 9:16, 1080x1920. Single continuous handheld take, subtle breathing movement, 35mm lens, shallow depth of field, focus locked on the subject's eyes. [SUBJECT] Brazilian man, 38 years old, 170 cm, athletic mesomorph build. Completely shaved bald head, no stubble on the scalp. Short full dark beard with a distinct pointed goatee and a connected moustache, edges kept sharp. Round black acetate eyeglasses, thin frame, sitting mid-nose. Warm light-olive skin. Dark brown eyes, heavy brows, calm steady gaze. Both arms carry dense full-sleeve colour tattoos from shoulder to wrist in American traditional and neo-traditional style: female portraits, roses and foliage, bold black outlines, saturated red, orange and green ink, visible on the forearms. Hands are clean, no tattoos on the fingers. Keep the face, beard shape, glasses and tattoo placement identical in every frame. Wardrobe: black unstructured blazer over a plain black crew-neck t-shirt, sleeves pushed up so the forearm tattoos are visible. [TIMED ACTION] [00:00-00:08] Medium close-up, chest up, looking straight into the lens. He speaks with flat and direct, stating a price without apology, hands entering frame low with small controlled gestures, no exaggerated movement. Continuous with the previous shot: same seat, same framing, same light. [DIALOGUE] He says, in Brazilian Portuguese, natural conversational delivery, every accent pronounced correctly, no accent drift: "Pra montar isso dentro de casa são dez funções. Quarenta e um mil por mês só de folha. A operação inteira sai por cinco mil oitocentos e noventa e sete." [CONTEXT] Dark minimalist studio. Deep navy background falling into black. One soft purple key light from camera left at 45 degrees, a cold rim light separating his shoulder from the background, faint volumetric haze catching the beam. Nothing else in the room. [STYLE & AMBIANCE] Premium documentary interview look, cinematic colour grade, deep blacks, slight film grain, hyperrealistic skin texture with visible pores. Confident and controlled mood, never cheerful, never salesy. [AUDIO] Ambient: near-silent studio room tone. SFX: none. No background music. [NEGATIVE] Clean empty background with no on-screen text, no captions, no subtitles, no logos, no watermark, no lower thirds, no graphic overlays. Bare walls with no furniture and no plants. Hands with no tattoos on the fingers. A single person alone in the room.

[CINEMATOGRAPHY] Vertical 9:16, 1080x1920. Single continuous handheld take, subtle breathing movement, 35mm lens, shallow depth of field, focus locked on the subject's eyes. [SUBJECT] Brazilian man, 38 years old, 170 cm, athletic mesomorph build. Completely shaved bald head, no stubble on the scalp. Short full dark beard with a distinct pointed goatee and a connected moustache, edges kept sharp. Round black acetate eyeglasses, thin frame, sitting mid-nose. Warm light-olive skin. Dark brown eyes, heavy brows, calm steady gaze. Both arms carry dense full-sleeve colour tattoos from shoulder to wrist in American traditional and neo-traditional style: female portraits, roses and foliage, bold black outlines, saturated red, orange and green ink, visible on the forearms. Hands are clean, no tattoos on the fingers. Keep the face, beard shape, glasses and tattoo placement identical in every frame. Wardrobe: black unstructured blazer over a plain black crew-neck t-shirt, sleeves pushed up so the forearm tattoos are visible. [TIMED ACTION] [00:00-00:08] Medium close-up, chest up, looking straight into the lens. He speaks with warm and disarming, palms slightly open, hands entering frame low with small controlled gestures, no exaggerated movement. Continuous with the previous shot: same seat, same framing, same light. [DIALOGUE] He says, in Brazilian Portuguese, natural conversational delivery, every accent pronounced correctly, no accent drift: "E você não precisa acreditar em mim. Antes de contratar qualquer coisa, você faz o diagnóstico: quatro minutos, o seu score aparece na tela, e você paga depois de ver." [CONTEXT] Dark minimalist studio. Deep navy background falling into black. One soft purple key light from camera left at 45 degrees, a cold rim light separating his shoulder from the background, faint volumetric haze catching the beam. Nothing else in the room. [STYLE & AMBIANCE] Premium documentary interview look, cinematic colour grade, deep blacks, slight film grain, hyperrealistic skin texture with visible pores. Confident and controlled mood, never cheerful, never salesy. [AUDIO] Ambient: near-silent studio room tone. SFX: none. No background music. [NEGATIVE] Clean empty background with no on-screen text, no captions, no subtitles, no logos, no watermark, no lower thirds, no graphic overlays. Bare walls with no furniture and no plants. Hands with no tattoos on the fingers. A single person alone in the room.

[CINEMATOGRAPHY] Vertical 9:16, 1080x1920. Single continuous handheld take, subtle breathing movement, 35mm lens, shallow depth of field, focus locked on the subject's eyes. [SUBJECT] Brazilian man, 38 years old, 170 cm, athletic mesomorph build. Completely shaved bald head, no stubble on the scalp. Short full dark beard with a distinct pointed goatee and a connected moustache, edges kept sharp. Round black acetate eyeglasses, thin frame, sitting mid-nose. Warm light-olive skin. Dark brown eyes, heavy brows, calm steady gaze. Both arms carry dense full-sleeve colour tattoos from shoulder to wrist in American traditional and neo-traditional style: female portraits, roses and foliage, bold black outlines, saturated red, orange and green ink, visible on the forearms. Hands are clean, no tattoos on the fingers. Keep the face, beard shape, glasses and tattoo placement identical in every frame. Wardrobe: black unstructured blazer over a plain black crew-neck t-shirt, sleeves pushed up so the forearm tattoos are visible. [TIMED ACTION] [00:00-00:08] Medium close-up, chest up, looking straight into the lens. He speaks with firm and final, direct eye contact, repeats the last words slower, hands entering frame low with small controlled gestures, no exaggerated movement. Continuous with the previous shot: same seat, same framing, same light. [DIALOGUE] He says, in Brazilian Portuguese, natural conversational delivery, every accent pronounced correctly, no accent drift: "Cento e quarenta e nove e noventa e sete. Comenta DIAGNÓSTICO que eu mando o link agora. Comenta DIAGNÓSTICO." [CONTEXT] Dark minimalist studio. Deep navy background falling into black. One soft purple key light from camera left at 45 degrees, a cold rim light separating his shoulder from the background, faint volumetric haze catching the beam. Nothing else in the room. [STYLE & AMBIANCE] Premium documentary interview look, cinematic colour grade, deep blacks, slight film grain, hyperrealistic skin texture with visible pores. Confident and controlled mood, never cheerful, never salesy. [AUDIO] Ambient: near-silent studio room tone. SFX: none. No background music. [NEGATIVE] Clean empty background with no on-screen text, no captions, no subtitles, no logos, no watermark, no lower thirds, no graphic overlays. Bare walls with no furniture and no plants. Hands with no tattoos on the fingers. A single person alone in the room.

CORTE 1 Promessa

SF_OM16_marcos_estudiodark.png

Nenhuma agência publica o custo por lead dela. Eu publiquei o meu: quinze reais e vinte e quatro, sobre duas mil duzentas e cinquenta e quatro oportunidades.

[CINEMATOGRAPHY]
Vertical 9:16, 1080x1920. Single continuous handheld take, subtle breathing movement,
35mm lens, shallow depth of field, focus locked on the subject's eyes.

[SUBJECT]
Brazilian man, 38 years old, 170 cm, athletic mesomorph build. Completely shaved bald head, no stubble on the scalp. Short full dark beard with a distinct pointed goatee and a connected moustache, edges kept sharp. Round black acetate eyeglasses, thin frame, sitting mid-nose. Warm light-olive skin. Dark brown eyes, heavy brows, calm steady gaze. Both arms carry dense full-sleeve colour tattoos from shoulder to wrist in American traditional and neo-traditional style: female portraits, roses and foliage, bold black outlines, saturated red, orange and green ink, visible on the forearms. Hands are clean, no tattoos on the fingers. Keep the face, beard shape, glasses and tattoo placement identical in every frame.
Wardrobe: black unstructured blazer over a plain black crew-neck t-shirt, sleeves pushed
up so the forearm tattoos are visible.

[TIMED ACTION]
[00:00-00:03] A stack of banknotes sits blurred in the foreground, filling the lower third. Rack focus pulls sharply from the money to the man's eyes behind it.
[00:03-00:08] The man is now centred in a medium close-up, chest up, looking straight into the lens. He speaks with blunt, confrontational energy, no smile, leaning slightly in, hands entering frame low with small controlled gestures, no exaggerated movement.

[DIALOGUE]
He says, in Brazilian Portuguese, natural conversational delivery, every accent pronounced
correctly, no accent drift: "Nenhuma agência publica o custo por lead dela. Eu publiquei o meu: quinze reais e vinte e quatro, sobre duas mil duzentas e cinquenta e quatro oportunidades."

[CONTEXT]
Dark minimalist studio. Deep navy background falling into black. One soft purple key light
from camera left at 45 degrees, a cold rim light separating his shoulder from the
background, faint volumetric haze catching the beam. Nothing else in the room.

[STYLE & AMBIANCE]
Premium documentary interview look, cinematic colour grade, deep blacks, slight film grain,
hyperrealistic skin texture with visible pores. Confident and controlled mood, never
cheerful, never salesy.

[AUDIO]
Ambient: near-silent studio room tone.
SFX: a short digital tick during the counter, then a sharp whoosh on the whip pan. No speech in the first three seconds.
No background music.

[NEGATIVE]
Clean empty background with no on-screen text, no captions, no subtitles, no logos, no
watermark, no lower thirds, no graphic overlays. Bare walls with no furniture and no
plants. Hands with no tattoos on the fingers. A single person alone in the room.

CORTE 2 Pra quem é

SF_OM16_marcos_estudiodark.png

Se você fatura acima de cinquenta mil por mês, presta atenção nos próximos quarenta segundos, porque esse número é o que você deveria estar cobrando da sua agência.

[CINEMATOGRAPHY]
Vertical 9:16, 1080x1920. Single continuous handheld take, subtle breathing movement,
35mm lens, shallow depth of field, focus locked on the subject's eyes.

[TIMED ACTION]
[00:00-00:08] Medium close-up, chest up, looking straight into the lens. He speaks with matter-of-fact, almost dismissive, as if filtering people out, hands entering frame low with small controlled gestures, no exaggerated movement. Continuous with the previous shot: same seat, same framing, same light.

[DIALOGUE]
He says, in Brazilian Portuguese, natural conversational delivery, every accent pronounced
correctly, no accent drift: "Se você fatura acima de cinquenta mil por mês, presta atenção nos próximos quarenta segundos, porque esse número é o que você deveria estar cobrando da sua agência."

[AUDIO]
Ambient: near-silent studio room tone.
SFX: none.
No background music.

CORTE 3 Prova e história

SF_OM16_marcos_estudiodark.png

Em marcenaria deu oito e sessenta. Em cooperativa de crédito deu trinta e seis e setenta e um, que é caro. Está publicado do mesmo jeito, com data e amostra do lado.

[CINEMATOGRAPHY]
Vertical 9:16, 1080x1920. Single continuous handheld take, subtle breathing movement,
35mm lens, shallow depth of field, focus locked on the subject's eyes.

[TIMED ACTION]
[00:00-00:08] Medium close-up, chest up, looking straight into the lens. He speaks with energised, telling a story he enjoys, small nod at the end, hands entering frame low with small controlled gestures, no exaggerated movement. Continuous with the previous shot: same seat, same framing, same light.

[DIALOGUE]
He says, in Brazilian Portuguese, natural conversational delivery, every accent pronounced
correctly, no accent drift: "Em marcenaria deu oito e sessenta. Em cooperativa de crédito deu trinta e seis e setenta e um, que é caro. Está publicado do mesmo jeito, com data e amostra do lado."

[AUDIO]
Ambient: near-silent studio room tone.
SFX: none.
No background music.

CORTE 4 Mecanismo

SF_OM16_marcos_estudiodark.png

Eu consigo publicar porque cada etapa tem número: o anúncio filtra, o agente qualifica, e o rastreio vai do clique até o contrato assinado.

[CINEMATOGRAPHY]
Vertical 9:16, 1080x1920. Single continuous handheld take, subtle breathing movement,
35mm lens, shallow depth of field, focus locked on the subject's eyes.

[TIMED ACTION]
[00:00-00:08] Medium close-up, chest up, looking straight into the lens. He speaks with explanatory, controlled, counting points with his hand, hands entering frame low with small controlled gestures, no exaggerated movement. Continuous with the previous shot: same seat, same framing, same light.

[DIALOGUE]
He says, in Brazilian Portuguese, natural conversational delivery, every accent pronounced
correctly, no accent drift: "Eu consigo publicar porque cada etapa tem número: o anúncio filtra, o agente qualifica, e o rastreio vai do clique até o contrato assinado."

[AUDIO]
Ambient: near-silent studio room tone.
SFX: none.
No background music.

CORTE 5 Oferta

SF_OM16_marcos_estudiodark.png

Isso são dez funções trabalhando. Quarenta e um mil por mês de folha se você montar dentro de casa. Aqui a operação inteira sai por cinco mil oitocentos e noventa e sete.

[CINEMATOGRAPHY]
Vertical 9:16, 1080x1920. Single continuous handheld take, subtle breathing movement,
35mm lens, shallow depth of field, focus locked on the subject's eyes.

[TIMED ACTION]
[00:00-00:08] Medium close-up, chest up, looking straight into the lens. He speaks with flat and direct, stating a price without apology, hands entering frame low with small controlled gestures, no exaggerated movement. Continuous with the previous shot: same seat, same framing, same light.

[DIALOGUE]
He says, in Brazilian Portuguese, natural conversational delivery, every accent pronounced
correctly, no accent drift: "Isso são dez funções trabalhando. Quarenta e um mil por mês de folha se você montar dentro de casa. Aqui a operação inteira sai por cinco mil oitocentos e noventa e sete."

[AUDIO]
Ambient: near-silent studio room tone.
SFX: none.
No background music.

CORTE 6 Objeção

SF_OM16_marcos_estudiodark.png

E ninguém assina nada no escuro. Você faz o diagnóstico primeiro: quatro minutos, o score do seu negócio aparece na tela, e você paga depois de ver.

[CINEMATOGRAPHY]
Vertical 9:16, 1080x1920. Single continuous handheld take, subtle breathing movement,
35mm lens, shallow depth of field, focus locked on the subject's eyes.

[TIMED ACTION]
[00:00-00:08] Medium close-up, chest up, looking straight into the lens. He speaks with warm and disarming, palms slightly open, hands entering frame low with small controlled gestures, no exaggerated movement. Continuous with the previous shot: same seat, same framing, same light.

[DIALOGUE]
He says, in Brazilian Portuguese, natural conversational delivery, every accent pronounced
correctly, no accent drift: "E ninguém assina nada no escuro. Você faz o diagnóstico primeiro: quatro minutos, o score do seu negócio aparece na tela, e você paga depois de ver."

[AUDIO]
Ambient: near-silent studio room tone.
SFX: none.
No background music.

CORTE 7 CTA

SF_OM16_marcos_estudiodark.png

Cento e quarenta e nove e noventa e sete. Comenta DIAGNÓSTICO que eu mando o link agora. Comenta DIAGNÓSTICO.

[CINEMATOGRAPHY]
Vertical 9:16, 1080x1920. Single continuous handheld take, subtle breathing movement,
35mm lens, shallow depth of field, focus locked on the subject's eyes.

[TIMED ACTION]
[00:00-00:08] Medium close-up, chest up, looking straight into the lens. He speaks with firm and final, direct eye contact, repeats the last words slower, hands entering frame low with small controlled gestures, no exaggerated movement. Continuous with the previous shot: same seat, same framing, same light.

[DIALOGUE]
He says, in Brazilian Portuguese, natural conversational delivery, every accent pronounced
correctly, no accent drift: "Cento e quarenta e nove e noventa e sete. Comenta DIAGNÓSTICO que eu mando o link agora. Comenta DIAGNÓSTICO."

[AUDIO]
Ambient: near-silent studio room tone.
SFX: none.
No background music.

Bancada de produção · Roteiro de 7 Cortes

Antes do primeiro clipe: trave o modelo e o personagem

Antes de gerar o próximo

Quando os 7 estiverem prontos